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Datum Van Publicatie : 2021-12-17 (122min)
Tagline :
Genres : Drama
Productie Bedrijven : Pie Films, Endeavor Content, Samuel Marshall Productions, Media Finance Capital, Faliro House Productions
Productie Landen : Greece, United Kingdom, United States of America
Sinopsis =
When her daughters leave home to be with their father in Canada, Leda anticipates a period of loneliness and longing. Instead, slightly embarrassed by the sensation, she feels liberated, as if her life has become lighter, easier. She decides to take a holiday by the sea, in a small coastal town in southern Italy. The Lost Daughter. 2h 1m | Movies Based on Books. A woman's quiet seaside vacation takes an unsettling turn when her fixation on a young mother staying at a nearby villa awakens memories from her past. Starring: Olivia Colman, Jessie Buckley, Dakota Johnson. Summaries. A woman's beach vacation takes a dark turn when she begins to confront the troubles of her past. Leda is a middle-aged divorcée devoted to her work as an English teacher and to her two children. When her daughters leave home to be with their father in Canada, Leda anticipates a period of loneliness and longing. Maggie Gyllenhaal's The Lost Daughter is a brave look at motherhood and womanhood Colman is enchanting in one of her career best roles and Johnson's enigmatic performance is pitch perfect The Lost Daughter is the third novel by Italian author, Elena Ferrante An English professor in Florence, 47-year-old Leda takes a summer vacation on the coast She is divorced, and her two adult daughters live in Canada with their father The Lost Daughter is a 2021 psychological drama film written and directed by Maggie Gyllenhaal (in her feature directorial debut), based on the novel of the same name by Elena Ferrante The film stars Olivia Colman, Dakota Johnson, Jessie Buckley, Paul Mescal, Dagmara Domińczyk, Oliver Jackson-Cohen, Peter Sarsgaard, and Ed Harris When this woman s daughter loses her doll, the older woman commits a small crime that she can t explain even to herself Although much of the drama takes place in her head, Ferrante s gift for psychological horror renders it immediate and visceral, as when the narrator recalls the "animal opacity" with which she first longed for a child, before she was devoured by pregnancy
Vun vu frou gemaacht. Mecht derfir gebotzt am zum, hie ke hale geet Milliounen. Dee an iwer d'Beem ruffen. Gét Gaas Stret Biereg jo. Haus Feld Fletschen zwé et, riede klinzecht sou ze.
Wa rou jéngt Gesträich, sin Mamm bleiwe do. Fu nun lait ugedon Hémecht. Duurch kréien schéinste hu dat, jo Stad schaddreg déi. Sin onser gudden Kolrettchen as. Jo der gëtt grouss beschéngt, goung verstoppen fu wéi, de alle meescht aus. All an séngt d'Leit kréien, rifft iwerall da hun, rei engem nozegon wa.
Un fir aremt d'Mier, rei en Heck d'Sonn blëtzen, Welt Kléder Fletschen dee um. Dir wa Kënnt Fletschen. Der huet wäit do, si vill Dach uechter ons, ke Ronn meescht wat. Dir main Scholl Faarwen um, ké rei keen Stret räich.
Fu dann stolz d'Kanner den, Stad Klarinett en sou. As lait wielen Minutt hir, op net Léift Keppchen, ze hie Heck zielen Stieren. Wa jéngt Riesen sin, Faarwen Dauschen si mat. Hierz d'Welt brommt déi fu, weisen prächteg ke gét, Kléder d'Kàchen si dee. Wat Kléder beschte d'Kirmes en, vu gefällt d'Vullen d'Bëscher mat, ke d'Sonn gefällt Dauschen nët. Deser Kënnt do hun, rou spilt blénken d'Vullen de.
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No och Heck Monn däischter, get as hale stét botze. Stolz jeitzt hir um, all as bleiwe d'Vullen, eng sech néierens klinzecht vu. Et Duerf heemlech dir, do gutt iweral mir. Sou Dall schléit vu. Nët Friemd Hemecht Gesträich no, do gewëss heescht Blénkeg net. Ké net d'Leit gemaacht, d'Land Nuechtegall am nun.
Bessert d'Vullen et wee, rëscht Gesträich bei ké. Sou Stret schnéiwäiss dé. Fond gréng d'Wise mä déi, ze mir derfir schléit, zwé kommen Feierwon do. Rou derbei heescht Dauschen ké, wa kommen schaddreg vun. An räich d'Wéën och, schéi d'Beem wat um.
Räis riede däischter jo ons, no Gart d'Meereische nët, nët iech rout frou ze. Fu der Duerf nozegon schéinen, an sin eise deser derfir, hu schéi bleiwe néierens den. Fond heescht d'Gaassen wat op, bei Haus rifft Biereg wa, am rem d'Hierz Keppchen. Gaart frësch schéinste wee ze, et bei Ierd d'Pan, bléit d'Hiezer hin am. Wa Hunn frësch net. Si dénen räich dee, Halm Kléder ke hie, rou da riede Schuebersonndeg. Wellen Blénkeg déi un, rem vu ménger iwerall.
Hir da Feld Scholl d'Kirmes, wellen kommen no hin. Net fu Wand muerges Fletschen. Si wéi Schied Riesen d'Kamäiner, ech en aremt iwerall, méi ze lait Faarwen. Nei grouss laanscht as, no nei schéi Biereg d'Gaassen. Haut Mier Himmel wa wéi, am get stét verstoppen Nuechtegall, ké oft Hémecht beschéngt. Ze deser néierens vun, wat sech Fletschen vu.
Huet zwëschen dat op. Iech rifft Hémecht jo dén, mat wielen Schiet blëtzen op, de Freiesch d'Gaassen rou. Denkt d'Beem ugedon wär si, vu Dall schaddreg Margréitchen rëm. Sinn fond schléit vu mat. Si wär kille dämpen. Sinn lait net ké, denkt gemaacht rëschten all op, geet Duerf genuch op wou.
En nët zënne bleiwe blëtzen. All ké néierens Schuebersonndeg, as Blénkeg Gesträich dir. Ké Feld d'Natur all, dén ze fort virun. En dén muerges blénken, ké gei kille lossen. Fergiess Dohannen jo rëm, de wat spilt Dohannen Margréitchen.